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If there’s a lesson to be taken from Umbrella Academy’s somewhat disappointing sophomore episode, I think it’s this: If your show is about a whole family of superheroic misfits, you should spend most of your time with that family of superheroic misfits. The biggest development in Vanya’s life is a violin lesson with a sweetly flirtatious new adult student named Leonard - who is probably a bad guy, because otherwise, what is this story doing here?
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Vanya spends the rest of the episode gadding about on her own, doing a bunch of nothing. She begins to second-guess Five’s big apocalyptic revelation, and annoys him enough that he rolls his eyes and leaves. Most disappointingly of all: After setting Vanya up as a quiet but steadfast ally for Five at the end of the premiere, Umbrella Academy immediately backs away from it.
#Run boy run summary Patch
Diego tries to convince Patch to fight crime by turning to vigilantism, as he did she chides him for cutting corners in his zeal to put criminals behind bars. There’s also Diego, who checks in on police detective (and former flame) Eudora Patch as she investigates the diner massacre. Despite firing many hundreds of bullets, Hazel and Cha-Cha fail to kill Five - but they don’t seem like the types to give up and go home.įive isn’t the only Hargreeves child trying to wrap his head around the recent spate of crime. Dolores is a mannequin who was also Five’s only “companion” in the future, in a plot point clearly designed to make us question Five’s sanity. These two are grumpy and funny, but not exactly cuddly in their zeal to find Five, they end up torturing and killing the innocent trucker who was mistaken for Five’s father in the diner.Īt the end of the episode, Hazel and Ch-Cha find Five, who has tracked down the love of his life, Dolores. Most significantly, we meet Hazel and Cha-Cha: Two suit-wearing, gun-toting assassins who are sent to find and kill Five after the failure of the hired goons in the diner. With the apocalypse ball kicked a little further down the road, “Run, Boy, Run” spends the rest of its time fleshing out other corners of the Umbrella Academy universe. (Unfortunately, the owner can’t be identified because the mechanical eye hasn’t even been manufactured yet. Here, help comes in the form of his drug-addled brother Klaus, who storms into an office and causes a scene in an effort to help Five track down the owner of a mechanical eye. The entire world will come to an end if Five can’t Encyclopedia-Brown his way out of this problem, and he needs all the help he can get to fix it. Part of it is that 15-year-old Aidan Gallagher has the chops to play both the humor and the pathos of a 58-year-old, possibly insane man trapped in a kid’s body.īut mostly, I think it’s that the stakes in Five’s story are both very high and very clear. Part of the success here is that this blend of sci-fi, noir, and comedy - which plays like a blend of Minority Report and Inherent Vice - is a lot more compelling than everything surrounding it.
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The episode’s most compelling story, by far, follows Five as he tries to crack the mystery about how and why the apocalypse is on the horizon. But if that’s not your plan, the unfortunate side effect of the Netflix binge-watch structure is a shaggy, shapeless episode like this one, which comes just as the show’s story should be ramping up, not flailing around. And that’s probably fine for anyone who plans to spend this weekend knocking out the first season of The Umbrella Academy. With that in mind, viewers should probably regard The Umbrella Academy as a ten-hour story - not a story composed of ten episodes. Netflix shows are designed, on some level, to be binge-watched.